Sunday, May 06, 2018

More Horror: Chapter Two of Enter the Night

Here's chapter two of Enter the Night.

If you like what you're reading so far, you can purchase it here.


Copyright 2018 Anthony Izzo

Two

The first thing Heather Benson sees is the truck sitting in the lodge’s parking lot. She’s not in charge of logistics. She’s the host. It’s her job to look good and encourage drama between the contestants on the show. Oh, and sell America that this mountain might be a little haunted.
“Seems odd they left the truck out here,” George Sampson says. He’s wearing a pea coat with a colorful scarf wrapped up under his thick beard. 
“The door’s open, too,” Heather says. 
The man driving the SUV parks it. The rest of the crew vehicles pull in behind them. The cast is scheduled to arrive tomorrow. 
Heather gets out. It’s snowing lightly. The powers that be at Blackmore Productions and the network are worried about the blizzard. Worried about it affecting production. “Have you seen the radar lately?”
George rounds the SUV. “Projected to hit late next week.”
“Well, we wanted extreme conditions,” Heather says.
“It’ll make for better television,” George says.
A red pickup truck pulls up next to them. The man who gets out is mountain-sized and wearing a stained Carhartt coat. He’s got a clipboard tucked under his arm. “What the fuck?”
There’s a second pickup, a Dodge Ram, parked behind the cube truck. Heather hadn’t noticed that at first.
“Heather, this is Don Larsen, he’s the crew foreman. You want something built or moved, Don’s the man.”
Larsen grunts hello and heads for the truck. He hoists himself up into the cab and examines something. He gets down, takes out a cell phone, and punches in a number.
Heather, curious, heads over where Larsen is talking. She tries to look casual, peering up at the lodge. 
“Bob, it’s Don. Where the fuck are you guys? And why’d you leave the trucks out here? Call me pronto,” Larsen says, and hangs up. 
“Where’d your guys go?” Heather asks.
“Fuck all if I know,” Larsen says. “Sampson, got a minute?”
George comes over. The wind whips the tail of his scarf. “Problem?”
Larsen moves in close to George. Heather sidles up next to George. Larsen either doesn’t notice or doesn’t mind.
“Bob Grey keeps a .44 in his truck. Everyone knows it. No one talks about it. The case was open on his seat. The gun’s gone,” Larsen says in a low voice. Steam puffs from his mouth each time he talks.
“Maybe he saw a bear,” Heather says.
“I don’t know what possessed him to bring out the gun,” Larsen says.
“How about we have a look?” George says.
“Maybe they were drinking. Probably passed out in the garage,” Heather says.
Larsen shakes his massive head. “They like to party, but when it comes to work, they’re rock solid. They wouldn’t leave the trucks out here like that.”
“The garage is open too,” George says.
They move over to the maintenance garage. Six inches of snow have piled up in the doorway. There’s no sign of the men. 
“I’m calling the Highway Patrol,” Larsen says.
“Now wait a second,” George says. “I have to check with the powers that be at the network and the company. It could ruin our shoot.”
“Fuck your shoot,” Larsen says.
“Look, sponsors put up a half a mil as prize money. Not to mention all the advertisers. This is going prime time,” George says.
“Those are my guys out there,” Larsen says.
“It can’t hurt to have the cops come up and take a look. What if a bear did get them?” Heather says. “Just play it safe.”
“I suppose you’re right,” George says.
“Told you so,” Larsen says.
Engines rumble behind them. More trucks carrying camera equipment, the crew, and their belongings roll into the parking lot. 
“Have someone move the trucks,” George says. “We don’t want panic.”
“I’ll move them myself,” Larsen says. “Make sure he calls the cops.”
“I’m calling now,” Heather says, taking her phone from her pocket.

Heather and George are in the lodge’s lobby. There’s a massive front counter with an elk’s head hung over it. A chandelier made from antlers hangs above the leather furniture in the lobby. A stone fireplace dominates one side of the room. There’s a faint hint of wood smoke in the air. The lodge has been closed for a few years, but Heather imagines that smoke smell won’t entirely diminish.
This is the third show she’s hosted. The first was a blatant ripoff of the Bachelor called The Single Guy. The second was a ghost hunter show that took her to abandoned prisons and asylums. The ghost show lasted three seasons. Got good ratings. Hence, she has the job here.
The crew is moving camera and lighting equipment into the lodge. A moment later, the lights flick on. They got the power going. She’s hoping for hot water so she can take a bath later. 
The Highway Patrol is on the way up. George has called them.
“How long till they get here?” Heather says.
“Should be here any minute. Don’t think they were thrilled. They don’t want anyone up here, let alone some numb-nuts Hollywood crew.”
“You’ll smooth talk them, I’m sure,” she says.
He’ll get his chance, because a Highway Patrol officer comes in. His hair is shaved close and squared away. He wears a dark brown winter jacket over his tan uniform. 
He approaches them. “Which one of you called?”
“That’d be me,” George says.
“The trucks are out there?” the officer says. The name sewn on his jacket says Wendel. 
“That’s where we found them,” George says.
Larsen comes in the door and joins the group. 
The officer asks for ID from all three of them. They take out their licenses and hand them over. 
“Come outside with me,” he says. 
To Heather’s dismay, they follow him outside. She just wants to go up to her room. She figures the truck drivers probably wandered off drunk somewhere. 
The trooper takes their licenses to the patrol car and runs checks on them. A few minutes later, he gives them back the licenses. He’s carrying a clipboard with a form attached. “When’s the last time anyone heard from these men. Names?”
Larsen rattles off their names. He takes a pen from his breast pocket and begins writing on the form.
“Bob didn’t answer his phone. I called him about an hour ago,” Larsen says. He goes on to tell the trooper about the missing gun.
“Trucks were abandoned. Gun missing. You checked the lodge for them?”
Heather winces. They didn’t. “We didn’t.”
The officer rolls his eyes. “I’m going to have a look in the cab of the truck. Where is it?”
“I moved it into the garage,” Larsen says.
“Would’ve been better to leave it out here undisturbed,” Wendel says. “I’ll be right back.”
“The pick-up truck too,” Larsen says.
Wendel doesn’t answer. He strides toward the garage as if daring it to give him some shit. Heather thinks Trooper Wendel is short on humor and long on being a hard-ass. She watches the cop climb into the truck’s cab. He looks around. Then he does the same with the pick-up truck.
He comes back, stops, and writes more on the form. “Any footprints would’ve been covered by snow last night. We got a good eight inches. I’ll have a look in the lodge. If we don’t find them, we’ll get a search party out here.”
“Why would they need a gun?” Heather wonders. 
“I think we told your people someone disappeared up here a few months ago. Not crazy about having a film crew up here. Too much can happen,” Wendel says.
George says, “We’re aware of the Highway Patrol’s stance.”
Wendel gives him a long stare. “I’m going to go walk the lodge. I hope you don’t need our help while you’re up here.”
He walks off toward the lodge. 



Thursday, May 03, 2018

Vicious Killers, An Abandoned Asylum, and Mayhem: Enter the Night, Chapter One

Enter the Night is available on all digital platforms. Find out what happens when six reality show contestants come in contact with four escaped maniacs.  Here's the first chapter.  I'll post one chapter per night for the next few days.

Copyright 2018 Anthony Izzo


     One


Truth be told, the mountain gives Bob Grey the creeps.
He steers the cube truck up the winding road. Hits the wipers. Snow begins to pelt the windshield. There’s a blizzard coming down from the Canadian Rockies that will hit later next week.
“Getting icy,” he says into the Bluetooth headset.
“Take her easy,” Gary Meyers says. Gary is in the Dodge Ram behind Bob’s truck.
“What’s the name of this show again?” Bob says.
“Enter the Night,” Gary says.
“How about we call it let’s get the fuck off this mountain? I’ll star in that show,” Bob says, and Gary meets this with braying laughter.
He steers the truck around a switchback and continues up the mountain. Takes a swig of coffee from his travel mug. It’s now lukewarm and bitter, but it’s better than nothing. “Why would anyone want to film a reality show up here?”
Gary says, “Couldn’t be Hawaii or South Beach, could it?”
“Honeys in bikinis and drinking on the beach. That’d be more like it.”
They’d passed the abandoned military base at the foot of the mountain, where rusted tanks and trucks sat abandoned behind a chain link fence. Bob is glad they don’t have to drive up to the abandoned hospital near the top of the mountain. He’s grateful to be stopping midway at the lodge.
“Lodge should be coming up,” Gary says.
Bob spots the rustic sign in his headlights. It reads: Iron Mountain Lodge. He brakes and turns onto the road that goes to the lodge.
The road twists and turns. He wishes for a Red Bull and maybe some caffeine pills to keep him sharp. For now, he contends with shitty gas station coffee. Dozing off at the wheel up here would be deadly.
The lodge comes into view: it’s four stories tall. Miles of roof. Hundreds of windows. He knows it was a playground for the rich in the last century. The Rockefellers stayed here on a regular basis. Howard Hughes used to rent an entire floor for himself. Now it looks like it wants to swallow people whole. At least in the dark. It’s probably fine, maybe even nice inside.
He parks the truck near the front of the lodge. A massive covered porch runs the entire length of the building.
Lights appear in his side mirror; Gary pulls up behind him in the Dodge.
He spots the maintenance garage; that’s where they are to park the cube truck. It’s loaded with supplies for the week-long shoot.
Bob has driven truck all over the country. The current gig with Blackmore Productions isn’t bad. The pay is decent. He’s home for good chunks of time. But right now, he’s shivering and wants to be back at the Holiday Inn, where he can order a Philly cheese steak from room service and watch a pay-per-view movie.
He gets out of the truck and the wind screams. He holds onto his Blackmore Productions trucker’s cap to keep it from blowing away. He wishes he’d brought a winter hat.
Gary fumbles with the keys before inserting the right one in the lock. He gives it a turn and cranks the door handle.
“Don’t just stand there. Help me lift the bastard,” Gary says.
They hoist the garage door open and Bob spots a pickup truck with a snowplow attached. There’s also a vehicle with tracks that looks like it belongs to the ski patrol.
The boss wants them to leave the truck in the garage and the film crew will unpack it.
He notices an odd smell: body odor. Like someone hasn’t showered in a month. Once, he’d gotten a whiff of a homeless guy who accosted him for a handout in Nashville. It reminds Bob of that. “Smell that? It’s really rank.”
Gary says, “Probably a dead critter got stuck in here.”
“Smells so bad I can almost taste it. I’ll get the truck,” Bob says.
“I’ll guide you in,” Gary says.
As Bob walks to the truck, Snow whips into his face. The wind moans again. His warm room back at the hotel comes to mind again.
Bob picks up his pace and reaches the truck. He hops in the cab. As he’s about to start it up, he hears a high-pitched scream. Someone in terrible pain.
He keeps a .44 Smith & Wesson in a case under the seat when he drives. Bob’s kept it there ever since being beaten and robbed on a run through East St. Louis. He gets out the revolver and loads it. There are brown bears on the mountain and he sincerely hopes he’s not about to run into one of those.
Bob hops out, bracing himself against the wind. The snow picks up and the garage is now barely visible. It’s going to be a bitch driving down the mountain in this.
He reaches the open garage door. “Gary, you okay?” he calls.
The snow lets up long enough and Bob sees a man with Gary’s body draped over his shoulder. Blood drips down and stains the snow. The man looks back. He’s wearing a gas mask, an olive-drab coat, and camo pants.
He turns and continues walking, carrying Gary like a sack of dry concrete.
“Hey! What the hell?”
Bob raises the Magnum, realizing Gary is in serious trouble, but he has no shot.
The man disappears around the garage.
Bob chases after him.

He catches up with the guy behind the garage, where the ground slopes downward. The man scurries down the embankment. He’s large but moves with the grace of a big cat. Again, Bob raises the gun, but he can’t shoot without possibly hitting Gary.
He can’t believe this is happening to his buddy. He’s known Gary eighteen years. They have hundreds of war stories from the road. Like that time at the Bunny Ranch near Vegas, which was legendary.
Bob reaches the embankment. It’s steep and rocky. There’s a good chance he’ll lose his footing and take a spill, but he has to help Gary. The stranger disappears into the blowing snow. Bob follows, sidestepping down the embankment. He picks his way over and around rocks. The snow stings his face. This is crazy.
Halfway down, his foot hits a rock and he falls forward. He tumbles down the embankment. His ankle turns with a sharp crack. Something pops in his wrist. He skids to a stop and ends up on his back.
Fresh blood dribbles down his chin. He tries to push himself to his feet, forgets about his injured wrist, and howls with pain. It’s sprained at the least, and the ankle feels just as bad.
Bob looks back up the embankment; he can’t see the garage. Even worse, he can’t see himself getting back up there on one leg. He peers down the embankment; the abductor is gone.
He’s lost the gun in the fall. He resigns himself to crawling back up the embankment and calling for help.
The ground crunches off to his right. It sounds like footsteps.
Someone materializes out of the snow; he’s hooded. Is that a fucking gas mask? The person towers over Bob. He knows this is going to end badly.
The person hunkers down and there’s a terrible, hot pain in Bob’s belly. Something stabs upward and it feels like his insides are being torn out.
He screams, but it melts into the wind and carries over the mountain.



Tuesday, April 24, 2018

A Good, Bloody Time on the Mountain

Enter The Night is complete. I made the corrections that my proofreader suggested. This one's straight up horror. It's got creepy, abandoned buildings, escaped psychopaths, and a brutal storm that's bearing down on the characters.

I had fun writing this one and creeped myself out a few times (usually a good sign).

I'll be uploading it to Kindle and other e-book platforms soon. Trying to come up with a release date so I can build a little anticipation over it.

Here's the a draft of the cover copy for Enter the Night:


They came to the mountain to hunt ghosts. They ended up as prey.

The Iron Mountain Asylum once housed the criminally insane. The worst of the worst. Four men escaped the asylum and were never caught. The legends grew. Some said they lived on the mountain, killing anyone who crossed their path.

The contestants on a reality show called Enter the Night are about to find out if the legends are real. Six people. Non-stop filming. A week exploring the abandoned asylum and the military base near the mountain. The contestants will find out that there are things far more frightening on the mountain than ghosts.


Saturday, April 14, 2018

Draft of Horror Novel Finished

The draft of Enter the Night is finished. I gave it an edit and now it's off to the proofreader. I'll be posting excerpts from it in the coming weeks.

I'm about 25 pages into writing The Last Ride. I initially envisioned it as a novella, but it has the potential to become a full novel. I've been working on this one longhand in my notebooks. I'm finding there's less distraction from social media and the writing's going well.

Got in a workout this morning and finished up a Batman sketch I was working on.

Hoping to see A Quiet Place next week. We have our tickets for Infinity War and are going opening night.

I just read James Scott Bell's How to Write Pulp Fiction. Currently reading Screenwriting Tricks for Authors by Alexandra Sokoloff. It never hurts to brush up on craft techniques, no matter how many books and stories you've written.

Friday, April 06, 2018

Writing Update 4/5/18

I have about twenty pages left to edit on Enter the Night. My plan to release it in late February got delayed due to some family issues. Should have it for sale by month's end.

The Last Ride, my apocalyptic novella (that very well might turn into a novel) is moving along. Getting a good chunk of writing done longhand by working on lunch breaks, etc.

Currently reading: The Wolf Road by Beth Lewis

There's a number of movies I'd like to see. A Quiet Place and You Were Never Here are among the current releases. Looking forward to Infinity War, Solo, and Deadpool 2 in May.

Sunday, March 25, 2018

Writing Books That Will Improve Your Craft

I took a glance at my office bookshelf and figured I'd post about the writing books that are on my shelf/Kindle. This is by no means a complete list, but these are some of the books that helped me along the way. I still refer back to them.


1. Stein on Writing and Grow Your Novel by Sol Stein

2. The Kick Ass Writer by Chuck Wendig (Wendig also has a number of other writing books out, some of them in list form. All have great advice)

3. Plot & Structure by James Scott Bell (any of Bell's writing books are excellent). I also recommend The Art of War for Writers.

4. Techniques of the Selling Writer by Dwight Swain

5. How to Write a Selling Screenplay by Christopher Keane

6. How to Write Page Turning Scenes by Holly Lisle (Lisle also has several other good books available on writing)

7. The 30-Day Book Marketing Challenge by Rachel Thompson (Thompson's website is also full of great tips for marketing and promotion)

8. The Novelist's Essential Guide to Crafting Scenes by Raymond Obstfeld

9.  Make a Scene: Crafting a Powerful Story One Scene at a Time by  Jordan Rosenfeld

10. Zen and the Art of Writing by Ray Bradbury

11. A Writer's Tale by Richard Laymon

12. The Right to Write by Julia Cameron

13. On Writing by Stephen King

14. Self Editing For Fiction Writers by Renni Brown and Dave King



Wednesday, March 07, 2018

45 and Beyond

I turned 45 this past Sunday. My wife took me out and we had a nice dinner at the Griffon Gastropub in our hometown. She also made pizza and tacos over the weekend, plus some amazing cupcakes. The only damper on the whole thing was the hacky/phleghmy/cold/flu thing that latched on to me. I'm feeling better today and planning to put the finishing touches on Enter the Night.

At 45 I haven't gotten where I've wanted to be, writing-wise. Yet. I thought I was on my way in the world of traditional publishing at one point. I had sold my first novel, started working with a well-known agent, and got a two book deal from my publisher after the first. The relationship with the agent didn't go anywhere. I tried writing a thriller that was honestly the worst book I've written. A little lesson: You can't write a book from some template in a how-to book, which is what I tried at the time. Any instructional book that promises you'll be able to write a blockbuster novel is likely full of crap. Write true and write what you love.

I went indie shortly after that. It's had its ups and downs. The sales aren't where I'd like them to be, and some days it seems like every other writer on the planet is doing better. But I love the freedom and knowing I can write whatever I want, whenever I want.

At 45, I'm not there yet. I'm hoping to have many more years to write stories. With any luck, there are many miles to go and lots of stories still to tell. I'm going to keep writing and putting stuff out there. We'll see how it goes.

Wednesday, February 28, 2018

Horror Novel Nears Completion

Enter the Night is around 51,000 words. I have a few more scenes to write, and it will be done. Then it's an edit before passing it on to the proofreader.

I gave away a couple copies of The Damage Factory to some coworkers. They seemed excited to read it, and I hope I gained a few fans.

Saw Black Panther over the weekend and enjoyed it. Another solid entry in the Marvel universe. Great to see some strong female characters on screen, as well.

I've also done some preliminary work on The Last Ride, an apocalyptic novella. Mostly stuff in a notebook on breaks at work. I'll be ramping that one up as soon as I'm done with Enter the Night. 



Sunday, February 18, 2018

Writing Update 2.18.18

I'm coming down the home stretch with writing Enter the Night. It's at about 47,500 words. I'm shooting for just over 50K words, although it might go a little longer. I also started writing a novella set in a flu-ravaged, apocalyptic world. It's called The Last Ride, and I hope to have it on sale sometime this spring.

I watched The Cloverfield Paradox on Friday night. It's been getting hammered by critics, from what I've read. It wasn't terrible, but it felt like a generic sci-fi movie to which they tacked on the Cloverfield universe. I liked the other two Cloverfield movies quite a bit (Cloverfield is one of my favorite monster movies), so this one was a disappointment.

I've been toying with the idea of setting up an Etsy shop for my drawings. Still not sure about that yet, but I suppose there's nothing to lose, and it's relatively cheap to list items on their site.

On the artwork front, I've continued with LOTR-themed drawings. This is a recent one I did of the Witch King. I took a picture of it on our dining room table. There's a bit of placemat visible on the right hand side. I'll either edit that out or take a new pic if I put this up for sale.


Sunday, February 04, 2018

Writing Updates 2.5.18

I've hit the 43,000 word mark on Enter the Night. I should be wrapping up the first draft this month. I've begun some preliminary work on my next release, tentatively titled The Last Ride. It's a novella set in post-apocalypse America, and I like the premise. It should be a faced-paced, action filled read.

No huge plans for "The Big Game" tonight. Am I allowed to say Super Bowl? Are the NFL lawyers reading this? The family and I are going to eat snacks and hope for a Patriots loss and some decent commercials.


Sunday, January 21, 2018

Writing Update 1.21.18

Enter the Night is at 37,380 words. My previous word count was a little off. It wasn't at 36,000, but 34,000. I was going off the top of my head with that count. Didn't get much writing done last week between Tuesday and Friday, as we had a crazy week. Got back at it on Saturday morning and rolling again today.

We've been watching the Marvel movies from the past 3-4 years in preparation for Infinity War coming out in May. My son suggested we catch up on the movies, and I've enjoyed watching them. We watched Guardians 2 on Friday night.

Currently reading Kill Kill Kill by Mike Leon and The Force by Don Winslow. I typically keep one Kindle book on my phone and another on my Kindle Fire.

Saturday, January 13, 2018

Writing Updates 1.13.18 (And a little artwork)

I don't have an exact word count to post right now because my One Drive App is updating files at the moment and I'm waiting. Enter the Night is at around 36,000 words.

Someone at work came up to me and told me they didn't know I was an author. It's always kind of fun with this happens. Even better is when they say something like: "You write about serial killers? I love that shit!" Hoping I made a new fan.

Didn't get to any writing last night, but I did finish this pen and ink drawing of a certain wizard.



Tuesday, January 09, 2018

Writing Update 1.9.18

The draft of Enter the Night is at 33,672 words. Tonight I wrote a scene where one of the bad guys shows up at the lodge with his bow and arrow. Mayhem ensues.

The temperatures are back to "normal," after hovering around zero for the past week. It's in the thirties. Not exactly flip flop and shorts weather, but better than the deep freeze.

I also started a novella called The Last Ride. Just getting going on this one so far.

Thursday, January 04, 2018

Writing Update 1.04.18

Continued work on Enter the Night. The current word count stands at 30,836.

I'm currently reading Chuck Wending's Damn Fine Story. Chuck has a number of excellent writing books available. Plus, he uses plenty of examples from Die Hard in Damn Fine Story to emphasize story techniques.

It's damn cold in the Buffalo area. There are over 300 schools and business closed for tomorrow. Going to try and stay warm.

Monday, January 01, 2018

Writing Goals for 2018

We spent a quiet New Years Eve at home with the kids, which is what my wife and I enjoy doing. We had drinks, snacks, and played Cards Against Humanity.

I hit 29,000 words on Enter the Night. I'm hoping to have a draft done by early February.

Dean Wesley Smith has a great blog post up about writing goals for 2018.

In looking at some of Dean's suggestions, I'm going with trying to hit a minimum word count of 250,000 for the year. That comes out to 685 words a day. I'm actually shooting for 750-1,000 words per day. I'm going to blog my progress here, also another one of Dean's suggestions.

I still think the best marketing is to get more of your work out there. That's the plan for 2018. I may also write some additional short stories on breaks at work. I'll see how this all pans out.


Tuesday, December 19, 2017

Hitting the 25K Mark

I hit the 25,000-word mark on Enter the Night. I'm guessing the draft will be around 55-60,000 words. I'm writing shorter books these days. I'm not under contract to produce a 100,000-word book, and for that I'm glad. Some of my earlier books, where I had to hit a minimum of a 100K, felt a little padded. And honestly, I tend to read shorter books these days. I don't have a ton of reading time, and I'm not getting any younger. Trying to get through as many books as I can. That's not to say I wouldn't enjoy a good, doorstop-sized epic now and then, but most of the stuff I read comes in around 250 pages.

Saw Star Wars on the second night and I loved it. It went against expectations in the best possible ways. I plan on seeing it again.

Just finished reading Chuck Dixon's Gomers, a cool little zombie novel. I've read a few of his books and I'm quickly becoming a fan.


Tuesday, December 12, 2017

The Day's Work 12.12.17

Snow continues to fall in my town, which is about twenty miles south of Buffalo. Did morning snow cleanup at 5 a.m. and a second round tonight. They're calling for more snow tomorrow, which I don't love, but it's Buffalo.

Have tickets to see The Last Jedi on Friday. I'm avoiding any reviews or posts to avoid spoilers.

On the writing front, Enter the Night is almost 25,000 words. I'm looking at an early spring release for this one.

Thursday, November 02, 2017

Being Ready to Get More Written

I set my alarm a half hour earlier today in order to get some writing done. I find the first few minutes are often wasted figuring out where I left off or deciding which scene I want to write (I sometimes write out of sequence).

I think I'd benefit from being ready to go as soon as my ass hits the chair if I were more prepared. I'm going  to have the following ready tomorrow morning:


  • My last scene bookmarked in Word.
  • Some rough notes for myself as to where I'm headed.
  • A copy of my story notes. I use a very loose set of notes/story points when I write.
  • I also might start setting a timer again. I find I get more written when the clock is ticking.


We leave our desktop on, so I don't waste time booting up.  I'm hoping to maximize my writing time. If you have any other tips, let me know. Trying to squeeze everything I can out of each writing session.

Sunday, October 22, 2017

Book Signing

I had my first book signing in years yesterday. I signed copies of The Damage Factory and a few other titles. It was a good turnout. I was pleasantly surprised to see one of my old friends from high school. We talked about old times, our families, and Star Wars, a passion of both of ours.

Trying to solve a story problem with The Walking Man that's kept me from finishing up the edits and releasing it. Hopefully will wrap it up this week.


Saturday, October 14, 2017

Excerpt of Enter the Night

I thought I'd put up an excerpt of my work-in-progress. It's called Enter the Night.

The first chapter is below. It combines reality television with a whole bunch of mayhem. I think this one's going to be fun to write.

They came to the mountain to hunt ghosts. They wound up as prey.

Enter the Night
Copyright 2017 Anthony Izzo


One

Truth be told, the mountain gives Bob Grey the creeps.
He steers the cube truck up the winding road. Hits the wipers. Snow begins to pelt the windshield. There’s a blizzard coming down from the Canadian Rockies that will hit later next week.
“Getting icy,” he says into the Bluetooth headset.
“Take her easy,” Gary Meyers says. Gary is in the Dodge Ram behind Bob’s truck.
“What’s the name of this show again?” Bob says.
“Enter the Night,” Gary says.
“How about let’s get the fuck off this mountain? I’ll star in that show,” Bob says, and Gary meets this with braying laughter.
He steers the truck around a switchback and continues up the mountain. Takes a swig of coffee from his travel mug. It’s now lukewarm and bitter, but it’s better than nothing. “Why would anyone want to film a reality show up here?”
Gary says, “Couldn’t be Hawaii or South Beach, could it?”
“Honeys in bikinis and drinking on the beach. That’d be more like it.”
They’d passed the abandoned military base at the foot of the mountain, where rusted tanks and trucks sat abandoned behind chain link fence. Bob is glad they don’t have to drive up to the abandoned hospital near the top of the mountain. He’s grateful to be stopping midway at the lodge.
“Lodge should be coming up,” Gary says.
Bob spots the rustic sign in his headlights. It reads: Iron Mountain Lodge. He brakes and turns onto the road that goes to the lodge.
The road twists and turns. He wishes for a Red Bull and maybe some caffeine pills to keep him sharp. For now, he contends with shitty gas station coffee. Dozing off at the wheel up here would be deadly.
The lodge comes into view: it’s four stories tall. Miles of roof. Hundreds of windows. He knows it was a playground for the rich in the last century. The Rockafellers stayed here on a regular basis. Howard Hughes used to rent an entire floor for himself. Now it looks like it wants to swallow people whole. At least in the dark. It’s probably fine, maybe even nice inside.
He parks the truck near the front of the lodge. A massive covered porch runs the entire length of the building.
Lights appear in his side mirror; Gary pulls up behind him in the Dodge.
He spots the maintenance garage; that’s where they are to park the cube truck. It’s loaded with supplies for the week-long shoot.
Bob has driven truck all over the country. The current gig with Blackmore Productions isn’t bad. The pay is decent. He’s home for good chunks of time. But right now, he’s shivering and wants to be back at the Holiday Inn, where he can order a Philly cheese steak from room service and watch a pay-per-view movie.
He gets out of the truck and the wind screams. He holds onto his Blackmore Productions trucker’s cap to keep it from blowing away. He wishes he’d brought a winter hat.
Gary fumbles with the keys before inserting the right one in the lock. He gives it a turn and cranks the door handle.
“Don’t just stand there. Help me lift the bastard,” Gary says.
The hoist the garage door open and Bob spots a pickup truck with a snowplow attached. There’s also a vehicle with tracks that looks like it belongs to the ski patrol.
The boss wants them to leave the truck in the garage and the film crew will unpack it.
He notices an odd smell: body odor. Like someone hasn’t showered in a month. Once, he’d gotten a whiff of a homeless guy who accosted him for a handout in Nashville. It reminds Bob of that. “Smell that? It’s really rank.”
Gary says, “Probably a dead critter got stuck in here.”
“Smells so bad I can almost taste it. I’ll get the truck,” Bob says.
“I’ll guide you in,” Gary says.
As Bob walks to the truck, Snow whips into his face. The wind moans again. His warm room back at the hotel comes to mind again.
Bob picks up his pace and reaches the truck. He hops in the cab. As he’s about to start it up, he hears a high-pitched scream. Someone in terrible pain.
He keeps a .44 Smith & Wesson in a case under the seat when he drives. Bob’s kept it there ever since being beaten and robbed on a run through East St. Louis. He gets out the revolver and loads it. There are brown bears on the mountain and he sincerely hopes he’s not about to run into one of those.
Bob hops out, bracing himself against the wind. The snow picks up and the garage is now barely visible in the snow. It’s going to be a bitch driving down the mountain in this.
He reaches the open garage door. “Gary, you okay?” he calls.
The snow lets up long enough and Bob sees the man with Gary’s body draped over his shoulder. Blood drips down and stains the snow. The man looks back. He’s wearing some sort of old-fashioned, smoked goggles. A scarf covers his mouth and nose.
He turns and continues walking, carrying Gary like a sack of dry concrete.
“Hey! What the hell?”
Bob raises the Magnum, realizing Gary is in serious trouble, but he has no shot.
The man disappears around the garage.
Bob chases after him.

He catches up with the guy behind the garage, where the ground slopes downward. The man scurries down the embankment. He’s large but moves with the grace of a big cat. Again, Bob raises the gun, but he can’t shoot without possibly hitting Gary.
He can’t believe this is happening to his buddy. He’s known Gary eighteen years. They have hundreds of war stories from the road. Like that time at the Bunny Ranch near Vegas, which was legendary.
Bob reaches the embankment. It’s steep and rocky. There’s a good chance he’ll lose his footing and take a spill, but he has to help Gary. The stranger disappears into the blowing snow. Bob follows, sidestepping down the embankment. He picks his way over and around rocks. The snow stings his face. This is crazy.
Halfway down, his foot hits a rock and he falls forward. He tumbles down the embankment. His ankle turns with a sharp crack. Something pops in his wrist. He skids to a stop and ends up on his back.
Fresh blood dribbles down his chin. He tries to push himself to his feet, forgets about his injured wrist, and howls with pain. It’s sprained at the least, and the ankle feels just as bad.
Bob looks back up the embankment; he can’t see the garage. Even worse, he can’t see himself getting back up there on one leg. He peers down the embankment; the abductor is gone.
He’s lost the gun in the fall. He resigns himself to crawling back up the embankment and calling for help.
The ground crunches off to his right. It sounds liked footsteps.
Someone materializes out of the snow; he’s hooded. Is that a fucking gas mask? The person towers over Bob. He knows this is going to end badly.
The person hunkers down and there’s a terrible, hot pain in Bob’s belly. Something stabs upward and it feels like his insides are being torn out.



He screams, but it melts into the wind and carries over the mountain.

Saturday, September 30, 2017

Draft of Horror Novella is Done

The draft of The Walking Man is done. Finished at around 27,000 words (about 105 pages). I think it's a nice length for a novella. I have a small scene to add, then it's on to editing and proofreading. The cover's below. This is the first story I've written based on cover art. The artwork caught my eye (I purchase the artwork from a stock photo site) and I came up with a story behind it. I like this approach and I'm going to look for story opportunities like this in the future.


Thursday, September 21, 2017

The Walking Man Hits 20K Words

I crossed the 20,000 word mark on The Walking Man. It's looking like it might end up around 30K. I'm having a blast writing the finale. This is my first horror title in a while. The next one will be horror, as well. I'll likely alternate a few horror titles with some thrillers/crime stories.

I saw IT for the second time last weekend. Loved it even more the second time around. The film captured the spirit of The Losers' Club and the kid who played Richie Tozeir killed it. The new Pennywise was creepy as hell. There were also some nice touches, like Georgie's Lego turtle, Bill's Tracker Brothers t-shirt, and the 1990 Pennywise head in the clown room. I can't wait for the second movie.

I also have a book signing coming up. More details to come.

Friday, September 15, 2017

Die Trying by Anthony Izzo Now Available

My latest thriller, Die Trying, is now available.


John Regal doesn't know what to make of the strange auras he sees around people. He's developed a knack for spotting bad people and stopping crimes as they're about to happen.

John soon discovers he's not the only one with strange abilities. A killer with ties to John also sees auras around his victims.

As the link to the killer becomes clearer and John's strange ability intestifies, he will have to unravel the mystery of his new talents. Two competing government agencies want to make John a weapon. As he soon finds out, John is in danger from both the killer and those who want to study him.

$4.99 on all e-book platforms. Links below.




Kindle

Kobo 

Nook


Sunday, August 20, 2017

Read an Excerpt from The Walking Man

Thought I'd share a snippet of The Walking Man. To put it in context, Regina, the mom, is trying to track down her teenage sons. A killer is preying on people in the town. They've missed their curfew and she's grown worried.



The road out to the powerhouse sent a chill through her. Dark as a closet, there was trash strewn at the sides of the road. The road hadn’t been used on a regular basis since the power company was in operation back in the 50’s.
Every few years the town council had a meeting to discuss funding for demolishing the powerhouse. The cost, with asbestos and environmental cleanup, was always deemed too high. So it still stood.
Regina came to the weedy lot where employees once parked. Looking at the powerhouse, she reflected that if Dracula had designed a power plant, it would look like this. There were weird gargoyle-looking statues jutting from the upper stories. Lots of shadowy arches and ornate designs in the concrete. She thought the place dated back to the late 1800's.
The stacks were so high you had to crane your neck to see the very top. She wanted to get the boys and go home.
She pulled the Kia up to the edge of the lot. Beyond the lot was packed dirt. As she got out of the car, she saw their bikes lying on the ground. Regina ducked back in the Kia and grabbed a mini flashlight from the glove box.
After popping on the beam, she approached the bikes, stepping over broken glass and a used condom. She really needed to rethink giving them so much freedom.
“Tim! Brian! You here? You’re both in trouble!” she called.
No response.
Regina moved toward the entrance. Something went sploosh under her foot, the ground wet. She shined the beam on it.
Please don’t let that be blood.

Monday, August 14, 2017

Draft of Die Trying is Done

I finished up the draft of Die Trying, my 18th novel. It's around 52,000 words and ready for the proofreader. I'm also working on a horror novella called The Walking Man. Cover art for Die Trying below.


Tuesday, June 27, 2017

The Novel Continues

The current draft of Die Trying is around 45,000 words. I'm guessing the final version will clock in between 50-60K words.

Writing this post while watching America's Got Talent with the family.

Got in a 15-minute kettlebell workout after dinner.

Currently reading: End of Watch by Stephen King

Also, I have an article with some writing tips up at the SFWA blog: http://bit.ly/2sOrIp6

Saw A Quiet Place II This Weekend

Jenn and I went for lunch yesterday, then saw A Quiet Place II at the Aurora Theater. The Aurora is a great little theater. One screen, and...